“Looking at it very simply musicology and ethnically, the Rutles were essentially Imperical maleonglece of a rhythmically radical yet verbally passé and temporally transcended lyrically content welded with historically innovative melodical material transposed and transmogrified by the ankus of the Rutland ethic experience which elevated them from essentially alpha exponents of in essence merely beta potential harmonic material into the prime cultural exponents of Aloin condensic comic standard form.”

– Stanley J. Krammerhead