1970's
Bootsy Collins: I'd Rather Be with You - 1976
Bootsy Collins is an American funk bassist, singer, and songwriter. Rising to prominence with James Brown in the late 1960s, and with Parliament-Funkadelic in the '70s, Collins's driving bass guitar and humorous vocals established him as one of the leading names in funk. Collins is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
With his elder brother Phelps, and Kash Waddy and Philippé Wynne, Collins formed a funk band called The Pacemakers in 1968.
In March 1970, after most of the members of James Brown's band quit over a pay dispute, The Pacemakers were hired as Brown's backing band and they became known as The J.B.'s. (They are often referred to as the "original" J.B.'s to distinguish them from later line-ups that went by the same name.) Although they worked for Brown for only 11 months, the original J.B.'s played on some of Brown's most intense funk recordings, including "Get Up (I Feel Like Being a) Sex Machine", "Super Bad", "Soul Power", and "Talkin' Loud and Sayin' Nothing".
It is known that the young Bootsy clashed several times with the rigid system Brown used to discipline the young band whenever he felt they stepped out of line.
ShareThisSammy Davis, Jr.: Suntory White - 1970's
Suntory was one of the first Asian companies to specifically employ American celebrities to market their product. One of the most notable is Sammy Davis, Jr., who appeared in a series of memorable Suntory commercials in the early 1970s. In the late 1970s, Akira Kurosawa directed a famous series of commercials featuring American celebrities on the set of his film Kagemusha.
Sammy Davis, Jr. was an American entertainer. Primarily a dancer and singer, Davis was a childhood vaudevillian, and became known for his performances on Broadway and in Las Vegas, as a recording artist, television and film star, and the only black member of Frank Sinatra's "Rat Pack".
At the age of three Davis began his career in vaudeville with his father and "uncle" as the Will Mastin Trio, toured nationally, and after military service, returned to the trio. Davis became an overnight sensation following a nightclub performance at Ciro's after the 1951 Academy Awards, with the trio, became a recording artist, and made his first film performances as an adult later that decade. Losing his left eye in a car accident in 1954, he converted to Judaism and appeared in the first Rat Pack movie, Ocean's Eleven, in 1960.
ShareThisFrank Zappa: Interview with Norman Gunston ABC-TV Australia - 1973
Frank Zappa was no stranger to Australia and its wildlife. Inspired by a monotreme encountered during his 1973 tour, the avant-rock polymath composed a complex jazz-fusion instrumental entitled ‘Echidna’s Arf (Of You)’. Three years later, he came face-to-face with that even rarer antipodean creature, the little Aussie bleeder, Norman Gunston.
Gunston was then at the height of his fame as a no-holds-barred interviewer and multifaceted television variety-show host. His hugely successful program, The Norman Gunston Show, screened weekly on the ABC, and few visiting entertainers escaped being ambushed and subjected to a penetrating interrogation. During the dismissal of Whitlam, Gunston appeared on the steps of Parliament House, where he buttonholed political luminaries.
ShareThisGeorge Carlin: The Seven Words - 1978
"Shit, Piss, Fuck, Cunt, Cocksucker, Motherfucker, and Tits. Those are the heavy seven. Those are the ones that'll infect your soul, curve your spine and keep the country from winning the war."
—George Carlin, Class Clown, "Seven Words You Can Never Say on Television"
George Carlin was an American stand-up comedian, social critic, actor, and author.
Carlin was noted for his black humor as well as his thoughts on politics, the English language, psychology, religion, and various taboo subjects. Carlin and his "Seven Dirty Words" comedy routine were central to the 1978 U.S. Supreme Court case F.C.C. v. Pacifica Foundation, in which a narrow 5–4 decision by the justices affirmed the government's power to regulate indecent material on the public airwaves.
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